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В© 2013 by Robert Kirzinger for the Boston Symphony Orchestra. Created for the exhibition lГ oГ№ les sentiers naissent invited by Ymi Nigris, Gestation is a ritualised performance, during 30 minutes. On a music created by GaГ«tan ChrГ©tien, Noemie Keren draw a big symbol in front of the audience using a funnel and washing powder. The dark rug and the white washing powder are creating strong contrast, gestures are evoluating by the rythm of the draw, letting little by little a shape half-tree, half-womb appearing. “It’s with great pride that we announce this evening, live from the community hall of the Micmac Nation of Gespeg, with our precious volunteers gathered to celebrate 15 years of the festival, that Elisapie will present the sunrise show next year. UNESCO has declared 2019 the international year of First Nations languages. We are honored to pay our respects to this designation while being rocked by the tender waves of Elisapie’s melodies in Inuktitut,” declares Sophie Bourdages, President of the Board of Directors of the Festival Musique du Bout du Monde.

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Thomas has had the good fortune to be able to create several large-scale works in the same genre, for example three violin concertos, two trombone concertos, and, now, three cello concertos — an unusual circumstance for a contemporary composer (or for that matter a composer of any era after the Classical period). She wrote her first cello concerto, Vigil , in 1990 for the Cleveland Chamber Symphony and soloist Norman Fischer (a longtime Tanglewood faculty member and member of the Concord String Quartet). Her second, Ritual Incantations , was for Emerson String Quartet cellist David Finckel, who premiered it with the Aspen Music Festival Chamber Orchestra in 1999. Both were around twelve minutes long; the new concerto is a much bigger piece in every way. Collaboration with the artist GaГ«tan ChrГ©tien, Enauratge de Matror . This video put the spectator in a witchcraft ritual. We see a witch working in an old and dark basement, the scene is sometime suspended by slow time where we can see the artist drawing a bird using washing powder. The ritual meant to realize the fly to Matror , which is an occitan traditionnal celebration, almost as Halloween. Between dream and reality, the bird shape finally appears. There is no doubt that Elisapie’s performance will be an ideal pairing with the wild and magnificent scenery at Cap-Bon-Ami, as well as with the magic of the first rays of sunshine touching the ocean. For the last eight years, 700 spectators per year have come together in impressive silence to enjoy this original outdoor concert, where an artist’s voice, complete with gentle accompaniment, creates a majestic complement to our natural heritage.

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Are you a string person? Test your skills with these contests/competions, with strings AND ONLY STRINGS. Performance, costume and accessories - NoГ©mie Keren Music - GaГ«tan ChrГ©tien Help for installation - automatisation of decor and lights - KГ©vin Dumas. 2017.

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1. connect the a express to ethernet and AC as above. Created for the exhibition lГ oГ№ les sentiers naissent invited by Ymi Nigris, Gestation is a ritualised performance, during 30 minutes. On a music created by GaГ«tan ChrГ©tien, Noemie Keren draw a big symbol in front of the audience using a funnel and washing powder. The dark rug and the white washing powder are creating strong contrast, gestures are evoluating by the rythm of the draw, letting little by little a shape half-tree, half-womb appearing. This installation tries to reveal the mirror relation between the greenhouse and the museum : in both cases, the audience can watch elements of collection, alive but captured, gathered in a dispositif of classification. Each element is named, dated, and benefits of a special space, involving a way of being for the spectator as seeing without touching. That's what Giorgio Agamben calls "sacred".

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Getting personalization right can be a game changer for your business. ActionIQ focuses on the future, not the past. Let us know if you would like to discuss together what the future of personalization looks like. 1.1 pounds, not thr 0.6 pounds that is stated in this article. Gestation , performance.

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Christoph Eschenbach, who leads this week's concerts, is another conductor who has championed Augusta Read Thomas's orchestral music, with the National Symphony Orchestra, Chicago Symphony Orchestra, Philadelphia Orchestra, Orchestre de Paris, and the North German Radio Symphony Orchestra in Hamburg. For that orchestra she composed Chanting to Paradise , for soprano solo, mixed chorus, and orchestra, premiered under Eschenbach's direction in 2002. In 2011 he led the National Symphony Orchestra and soloist Jennifer Koh in the American premiere of her Violin Concerto No. 3: "Juggler in Paradise" , also commissioned by Bill and Solange Brown. Spell, natural dyeing, embroidery, wood. Spring 2019. ENGLISH TRANSLATED.

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The Phoenix was adopted by the early Christianity as a symbol of resurrection. It’s also a popular emblem in heraldry: both Elizabeth I, and Mary the Queen of Scotts used it as their emblems. It is the seal on the flag of the city of Phoenix Arizona. Originally named Pumpkinville due to the abundance of large pumpkins, growing along the canals, the city was named Phoenix by way of suggestion of Lord Darrel Duppa, “as it described a city born from the ruins of a former Hohokam civilization.” Concert Pianist Stephen Hough tests iPad piano apps, adds Kindle comments. 2016.

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Authored by ActionIQ Team. It's a clever idea. Someone could indeed design a soundfont that does this. There wouldn't need to be any special support in MuseScore for this, really, except maybe for dealing with accidentals. That would be the trick, I guess - getting it to say C# versus Db according to which way you've chosen to spell the note. Sorry. Should have been clearer. The Kindle doesn't require a data plan, unlike the iPad.

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Sorry. Should have been clearer. The Kindle doesn't require a data plan, unlike the iPad. This trio winner of the Rezzo Focal Jazz springboard in Vienna 2016 opens the "All Night Jazz" with a standard, Witchcraft, interpreted in a style that is the mark of the trio, with a line of piano very clear, very readable and perfectly posed. The pianist combines power and a very fine melodic intelligence, which highlights the musical theme of the late 50s, popularized by Sinatra and taken over by Bill Evans trio. The second title, Vence, is a composition of Amaury Faye shaped ballad that takes us far in a dreamy reflection where the listener forgets himself to be no more than music. Finally to finish this set that seemed very short, a blues that the musicians call unifying, Sunday Morning Blues, as a return to the Americas, just to return to the origins. It is important to point out Grégoire Navarro's singing doublebass and the rhythmic cloud of Theo Lanau's vibratile drummer, whose combined games perfectly match the limpid interpretations of Amaury Faye. The trio so calms a little ardor (so little) with "Vance", a light ballad that walks on a swaying rhythm. But he revived very quickly and had fun on "An Oscar For Treadwell" Charlie Parker. They have in their fingers the story of the bop, that's for sure. It is always fast and tense and the three friends do not hesitate to move away from the theme, to turn around, to have fun. We find in them the essence and the spirit of those who made the art of the trio, Mehldau in mind (not the romantic, but the swinging one). Amaury Faye can not hide his love for the American pianist, and besides, we would not blame him if, sometimes, he moved away a little. And the trio continues more beautiful, like a locomotive launched at full speed. Then there is the sparkling "Off Roading", then "Clearway Street", introduced by an excellent Theo Lanau on drums. Then, the most sober "Bad Surprise" and a jubilant "Sunday Morning Blues" or "Journey To The East Coast". There is always this desire for energy, breathtaking rhythms in this trio. Always this desire to raise the adrenaline. The public is in love. That of Marciac, where the trio will have the honor to defend their music this summer, will probably be just as much. We are curious to see how the trio evolves. At a next Jazz Tour maybe? To follow with interest.

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1.1 pounds, not thr 0.6 pounds that is stated in this article. I got the iPad and for my stupidity, i even got the 64GB version. I was amazed at the screen and the 'cool' features. No one can deny the great look, effects and multi-touch, but I was disappointed to hit the wall when I tried to put anything 'except the fun stuff' through iTunes. First of all, I have always hated iTunes! Whey the heck Apples forces everyone to use that? Whey don't you freaking people just give me a storage that I can drop my files and read them? I had to hunt through apps to read get a pdf file to my ipad and find out that they suck and I already have paid for it! It is very restrictive. I could not live with it. I was sooooooo frustrated for the past few days that I could not use a freakn gadget the way I want. When I wen to apple store and asked for help, their smartest geek told me to 'just email yourself the pdf!!' How many files do I have to email my self, you MORAN. and why should I have to? Collaboration with the artist GaГ«tan ChrГ©tien, Enauratge de Matror . This video put the spectator in a witchcraft ritual. We see a witch working in an old and dark basement, the scene is sometime suspended by slow time where we can see the artist drawing a bird using washing powder. The ritual meant to realize the fly to Matror , which is an occitan traditionnal celebration, almost as Halloween. Between dream and reality, the bird shape finally appears.

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( Older posts have older Kindle model info. For latest models, see CURRENT KINDLES page. ) If interested, you can also follow my add'l blog-related news at Facebook and Twitter Questions & feedback are welcome in the Comment areas (tho' spam is deleted). Thanks! The 16th edition (2019) of the Festival Musique du Bout du Monde will present the pre-festival events throughout the territory of greater Gaspé from the 3 rd to the 7 th of August, and the main festival events in downtown Gaspé from the 8 th to the 11 th of August. The trio so calms a little ardor (so little) with "Vance", a light ballad that walks on a swaying rhythm. But he revived very quickly and had fun on "An Oscar For Treadwell" Charlie Parker. They have in their fingers the story of the bop, that's for sure. It is always fast and tense and the three friends do not hesitate to move away from the theme, to turn around, to have fun. We find in them the essence and the spirit of those who made the art of the trio, Mehldau in mind (not the romantic, but the swinging one). Amaury Faye can not hide his love for the American pianist, and besides, we would not blame him if, sometimes, he moved away a little. And the trio continues more beautiful, like a locomotive launched at full speed. Then there is the sparkling "Off Roading", then "Clearway Street", introduced by an excellent Theo Lanau on drums. Then, the most sober "Bad Surprise" and a jubilant "Sunday Morning Blues" or "Journey To The East Coast". There is always this desire for energy, breathtaking rhythms in this trio. Always this desire to raise the adrenaline. The public is in love. That of Marciac, where the trio will have the honor to defend their music this summer, will probably be just as much. We are curious to see how the trio evolves. At a next Jazz Tour maybe? To follow with interest.

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With sparkling, radiant, and capriciously witty atmospheres that celebrate the soloist and orchestra, this concerto is optimistic, clean, colorful, bright, sunny. There exists a wide and spontaneous variety of characters, including: triumphant, in-flight, ever-renewing of energy, graceful, majestic, spacious, pure and clean, playful, spry, jazzy, lively, rhythmic, ever-rising, resonant, and elegantly vibrant. Photographic diptych, performance trace of Flight. Spring 2019. “It’s with great pride that we announce this evening, live from the community hall of the Micmac Nation of Gespeg, with our precious volunteers gathered to celebrate 15 years of the festival, that Elisapie will present the sunrise show next year. UNESCO has declared 2019 the international year of First Nations languages. We are honored to pay our respects to this designation while being rocked by the tender waves of Elisapie’s melodies in Inuktitut,” declares Sophie Bourdages, President of the Board of Directors of the Festival Musique du Bout du Monde.

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The traditional model for personalization is the so-called “market basket analysis”, where algorithms analyze what customers buy together (in the same “basket” – which can be anything from a web checkout to a real basket) and then analyze that, for example, “people who buy diapers also buy beer.” Look at the Safari guided tour video for the iPad on Apple's website. They go to a website and load a flash video! 😮 WILL THE iPAD HAVE FLASH?? (possibly! :)) I got the iPad and for my stupidity, i even got the 64GB version. I was amazed at the screen and the 'cool' features. No one can deny the great look, effects and multi-touch, but I was disappointed to hit the wall when I tried to put anything 'except the fun stuff' through iTunes. First of all, I have always hated iTunes! Whey the heck Apples forces everyone to use that? Whey don't you freaking people just give me a storage that I can drop my files and read them? I had to hunt through apps to read get a pdf file to my ipad and find out that they suck and I already have paid for it! It is very restrictive. I could not live with it. I was sooooooo frustrated for the past few days that I could not use a freakn gadget the way I want. When I wen to apple store and asked for help, their smartest geek told me to 'just email yourself the pdf!!' How many files do I have to email my self, you MORAN. and why should I have to?

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As with most of Thomas's pieces, the subtitle Legend of the Phoenix indicates not a specific narrative but a jumping-off place for the imagination, with the phoenix's mystical origin providing first of all an atmosphere of wonder. Although one is tempted to equate the soloist with the bird, that connection is far too concrete. Nonetheless the cello is the originator of a line, a focal thread, that winds its way through the entire concerto, changing character as it goes and expanding into the orchestral roles. The orchestra itself, though not small, is not Mahlerian: the goal is a certain range of clarity and color, not overwhelming power. Even so, the orchestra has material that is its own, giving it a role equal to that of the soloist rather than that of mere accompanist or imitator. Performance, costume and accessories - NoГ©mie Keren Music - GaГ«tan ChrГ©tien Help for installation - automatisation of decor and lights - KГ©vin Dumas. There is no doubt that Elisapie’s performance will be an ideal pairing with the wild and magnificent scenery at Cap-Bon-Ami, as well as with the magic of the first rays of sunshine touching the ocean. For the last eight years, 700 spectators per year have come together in impressive silence to enjoy this original outdoor concert, where an artist’s voice, complete with gentle accompaniment, creates a majestic complement to our natural heritage.

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We can even take this a step further. Why should recommendations produce the products that customers are most likely to buy? That’s like optimizing for the next purchase. But what would recommendations look like if we were optimizing for lifetime value (LTV) instead? Maybe instead of showing the customer something that they already know they want to buy, we want to show them a product that they like but don’t know yet. In other words, we may want to point customers towards “gateway” products, that if they buy we know they will rise to a whole new level of engagement. Instead of achieving just a few product sales, we gain customers that buy a much larger range of products, are much more engaged and purchase a lot more frequently. In the last 10 years a number of vendors came out promising an easier way to do market basket personalization. For instance, they would analyze your web data and analyze what products are bought or browsed together. Then they could generate web or email recommendations based on what you’ve been purchasing. Even though such approaches sound like the Holy Grail, they’re far from it – and results often disappoint. This short video shows how Noemie Keren is using the washing powder to draw on the floor during her performances.

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You may also like to check out: Question: How long does it take for me to set up my wireless network using this approach? 30 seconds to plug in ethernet and AC power. Two minutes to wait for the airport express to connect via DHCP and too start sending a wireless signal. One minute to log in (and pay if necessary). VГ©nus + MLV is an installation created during an artist residency in Oberpfalzer KГјnstlerhaus, Schwandorf-Fronberg, Germany, april 24th - may 29th 2015. The idea is to put in perspective a world of sain and sanitized, symbolised by the wahing machine and a world of the origins, symbolised by graphics references to prehistorics art in dark caves.

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I think with this information we have one more step to make this fabulous tool for musescore? It will be proudly musescore the pioneer of it!! Concert Pianist Stephen Hough tests iPad piano apps, adds Kindle comments. Created for the exhibition lГ oГ№ les sentiers naissent invited by Ymi Nigris, Gestation is a ritualised performance, during 30 minutes. On a music created by GaГ«tan ChrГ©tien, Noemie Keren draw a big symbol in front of the audience using a funnel and washing powder. The dark rug and the white washing powder are creating strong contrast, gestures are evoluating by the rythm of the draw, letting little by little a shape half-tree, half-womb appearing.

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In ancient Egyptian mythology and in myths derived from it, the Phoenix is a female mythical sacred firebird with beautiful gold and red plumage. Said to live for 500 or 1461 years (depending on the source), at the end of its life-cycle the phoenix builds itself a nest of cinnamon twigs that it then ignites; both nest and bird burn fiercely and are reduced to ashes, from which a new, young phoenix arises. The new phoenix embalms the ashes of the old phoenix in an egg made of myrrh and deposits it in Heliopolis (“the city of the sun” in Greek), located in Egypt. The bird was also said to regenerate when hurt or wounded by a foe, thus being almost immortal and invincible – a symbol of fire and divinity. Originally, the phoenix was identified by the Egyptians as a stork or heron-like bird called a bennu, known from the Book of the Dead and other Egyptian texts as one of the sacred symbols of worship at Heliopolis, closely associated with the rising sun and the Egyptian sun-god Ra. I change and change again, generation after generation. I find anguish than peace. I am satisfied with my birth and the faith to which it led me. I do not regret the discomforts and terrors of my mortality any more than I regret the company of angels. I have entered fire. I become invisible; yet I breathe in the flow of sun, in the eyes of children, in the light that animates the white cliffs at dawn. I am the God in the world in everything, even in darkness. If you have not seen me there, you have not looked. I am the fire that burns you, that burns in you. To live is to die a thousand deaths, but there is only one fire, one eternity.” Neo Wisdom Witches Ompahlos , installation.

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Kindle's e-ink isn't sexy. But if extended reading's the thing for you, it's a lot easier on the eyes and on battery life. If you're not a book reader, get in line for the iPad. Concert Pianist Stephen Hough tests iPad piano apps, adds Kindle comments. Paleo-Spiritism.

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"Augusta Read Thomas's Legend of the Phoenix (2012) is her Third Cello Concerto, commissioned by the Boston Symphony Orchestra. It's a great piece, from its striking opening with intense declamation from the soloist and the orchestra's brightest instruments issuing an urgent invitation that we should be involved in the music, which is lyrical, rhapsodic and has tremendous brass outbursts. Lynn Harrell played marvellously, with rich tone, spot-on intonation and palpable commitment. The orchestra is kept very busy, vivid and beguiling on its own terms, ravishing at times, with contributions from such as piccolo and harp that leap out of the texture, and with plentiful percussion that never seems like overkill. Sorry. Should have been clearer. The Kindle doesn't require a data plan, unlike the iPad. ENGLISH TRANSLATED.

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Augusta Read Thomas was born in Glen Cove, New York, on April 24, 1964, and lives in Chicago. Her Cello Concerto No. 3 was commissioned by the Boston Symphony Orchestra through the generous support from Mr. and Mrs. William G. Brown, with additional support from Catherine and Paul Buttenwieser, and from the New Works Fund established by the Massachusetts Cultural Council, a state agency. Thomas composed the concerto expressly with the BSO, cellist Lynn Harrell, and Symphony Hall in mind, starting work in January 2012 and finishing by October of that year. These are the first performances of the concerto. Look at the Safari guided tour video for the iPad on Apple's website. They go to a website and load a flash video! 😮 WILL THE iPAD HAVE FLASH?? (possibly! :)) Gaspé, November 30, 2018 – Musique du Bout du Monde is proud to announce that Elisapie Isaac will be in concert for the sunrise show at Cap-Bon-Ami in Forillon National Park on August 11, 2019 at 4:45am. This talented singer-songwriter from Salluit, Nunavik will honor us with her presence in the wee hours of the morning for a concert considered by many to be the must-see show of the year in Gaspé. The sunrise show has become the main attraction of the Festival Musique du Bout du Monde, presented by Loto-Québec. For those wishing to reserve their place at this magical, emotional musical experience, tickets go on sale this evening.

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Thomas has had the good fortune to be able to create several large-scale works in the same genre, for example three violin concertos, two trombone concertos, and, now, three cello concertos — an unusual circumstance for a contemporary composer (or for that matter a composer of any era after the Classical period). She wrote her first cello concerto, Vigil , in 1990 for the Cleveland Chamber Symphony and soloist Norman Fischer (a longtime Tanglewood faculty member and member of the Concord String Quartet). Her second, Ritual Incantations , was for Emerson String Quartet cellist David Finckel, who premiered it with the Aspen Music Festival Chamber Orchestra in 1999. Both were around twelve minutes long; the new concerto is a much bigger piece in every way. A non-technical difference worthy of note (as a consequence of the displays) is the ease of reading. I have the Kindle (not the DX) and I bought it specifically because of this difference (after all, my laptop is sufficiently portable, can do everything the iPad can do, and can read books just fine). For folks sensitive to such things, the eInk is much easier on the eyes over long periods of time and can be used in direct sun. Perhaps insufficient for younger, hip users who'd rather have more for their money, but enough that even if I splurged on the iPad, I don't think I'd be giving up my Kindle anytime soon. I'd be much more likely to consider the iPad in lieu of a netbook. “It’s with great pride that we announce this evening, live from the community hall of the Micmac Nation of Gespeg, with our precious volunteers gathered to celebrate 15 years of the festival, that Elisapie will present the sunrise show next year. UNESCO has declared 2019 the international year of First Nations languages. We are honored to pay our respects to this designation while being rocked by the tender waves of Elisapie’s melodies in Inuktitut,” declares Sophie Bourdages, President of the Board of Directors of the Festival Musique du Bout du Monde.

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With sparkling, radiant, and capriciously witty atmospheres that celebrate the soloist and orchestra, this concerto is optimistic, clean, colorful, bright, sunny. There exists a wide and spontaneous variety of characters, including: triumphant, in-flight, ever-renewing of energy, graceful, majestic, spacious, pure and clean, playful, spry, jazzy, lively, rhythmic, ever-rising, resonant, and elegantly vibrant. "Another style of notation, rarely used in English, uses the suffix "is" to indicate a sharp and "es" (only "s" after A and E) for a flat, e.g., Fis for F♯, Ges for G♭, Es for E♭. This system first arose in Germany and is used in almost all European countries whose main language is not English, Greek, or a Romance language." VГ©nus + MLV is an installation created during an artist residency in Oberpfalzer KГјnstlerhaus, Schwandorf-Fronberg, Germany, april 24th - may 29th 2015. The idea is to put in perspective a world of sain and sanitized, symbolised by the wahing machine and a world of the origins, symbolised by graphics references to prehistorics art in dark caves.

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I change and change again, generation after generation. I find anguish than peace. I am satisfied with my birth and the faith to which it led me. I do not regret the discomforts and terrors of my mortality any more than I regret the company of angels. I have entered fire. I become invisible; yet I breathe in the flow of sun, in the eyes of children, in the light that animates the white cliffs at dawn. I am the God in the world in everything, even in darkness. If you have not seen me there, you have not looked. I am the fire that burns you, that burns in you. To live is to die a thousand deaths, but there is only one fire, one eternity.” Created for the exhibition lГ oГ№ les sentiers naissent invited by Ymi Nigris, Gestation is a ritualised performance, during 30 minutes. On a music created by GaГ«tan ChrГ©tien, Noemie Keren draw a big symbol in front of the audience using a funnel and washing powder. The dark rug and the white washing powder are creating strong contrast, gestures are evoluating by the rythm of the draw, letting little by little a shape half-tree, half-womb appearing. This installation tries to reveal the mirror relation between the greenhouse and the museum : in both cases, the audience can watch elements of collection, alive but captured, gathered in a dispositif of classification. Each element is named, dated, and benefits of a special space, involving a way of being for the spectator as seeing without touching. That's what Giorgio Agamben calls "sacred".

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I change and change again, generation after generation. I find anguish than peace. I am satisfied with my birth and the faith to which it led me. I do not regret the discomforts and terrors of my mortality any more than I regret the company of angels. I have entered fire. I become invisible; yet I breathe in the flow of sun, in the eyes of children, in the light that animates the white cliffs at dawn. I am the God in the world in everything, even in darkness. If you have not seen me there, you have not looked. I am the fire that burns you, that burns in you. To live is to die a thousand deaths, but there is only one fire, one eternity.” Gestation , performance. There is no doubt that Elisapie’s performance will be an ideal pairing with the wild and magnificent scenery at Cap-Bon-Ami, as well as with the magic of the first rays of sunshine touching the ocean. For the last eight years, 700 spectators per year have come together in impressive silence to enjoy this original outdoor concert, where an artist’s voice, complete with gentle accompaniment, creates a majestic complement to our natural heritage.

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There are 3 main problems with this traditional personalization approach: This trio winner of the Rezzo Focal Jazz springboard in Vienna 2016 opens the "All Night Jazz" with a standard, Witchcraft, interpreted in a style that is the mark of the trio, with a line of piano very clear, very readable and perfectly posed. The pianist combines power and a very fine melodic intelligence, which highlights the musical theme of the late 50s, popularized by Sinatra and taken over by Bill Evans trio. The second title, Vence, is a composition of Amaury Faye shaped ballad that takes us far in a dreamy reflection where the listener forgets himself to be no more than music. Finally to finish this set that seemed very short, a blues that the musicians call unifying, Sunday Morning Blues, as a return to the Americas, just to return to the origins. It is important to point out Grégoire Navarro's singing doublebass and the rhythmic cloud of Theo Lanau's vibratile drummer, whose combined games perfectly match the limpid interpretations of Amaury Faye. The trio so calms a little ardor (so little) with "Vance", a light ballad that walks on a swaying rhythm. But he revived very quickly and had fun on "An Oscar For Treadwell" Charlie Parker. They have in their fingers the story of the bop, that's for sure. It is always fast and tense and the three friends do not hesitate to move away from the theme, to turn around, to have fun. We find in them the essence and the spirit of those who made the art of the trio, Mehldau in mind (not the romantic, but the swinging one). Amaury Faye can not hide his love for the American pianist, and besides, we would not blame him if, sometimes, he moved away a little. And the trio continues more beautiful, like a locomotive launched at full speed. Then there is the sparkling "Off Roading", then "Clearway Street", introduced by an excellent Theo Lanau on drums. Then, the most sober "Bad Surprise" and a jubilant "Sunday Morning Blues" or "Journey To The East Coast". There is always this desire for energy, breathtaking rhythms in this trio. Always this desire to raise the adrenaline. The public is in love. That of Marciac, where the trio will have the honor to defend their music this summer, will probably be just as much. We are curious to see how the trio evolves. At a next Jazz Tour maybe? To follow with interest.

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We can even take this a step further. Why should recommendations produce the products that customers are most likely to buy? That’s like optimizing for the next purchase. But what would recommendations look like if we were optimizing for lifetime value (LTV) instead? Maybe instead of showing the customer something that they already know they want to buy, we want to show them a product that they like but don’t know yet. In other words, we may want to point customers towards “gateway” products, that if they buy we know they will rise to a whole new level of engagement. Instead of achieving just a few product sales, we gain customers that buy a much larger range of products, are much more engaged and purchase a lot more frequently. This Kindle blog of Kindle Fire, Paperwhite, and other e-Ink Kindle tips and Kindle news - with links to Free Kindle Books (contemporary also) - explores the less-known capabilities of the Amazon Kindle readers and tablets. Ongoing tutorials, guides for little-known features and latest information on the Kindle Fire tablets and their competitors. Questions are welcome in Comments area. +++ For PHONE or TABLET access: Use ?m=1. This installation tries to reveal the mirror relation between the greenhouse and the museum : in both cases, the audience can watch elements of collection, alive but captured, gathered in a dispositif of classification. Each element is named, dated, and benefits of a special space, involving a way of being for the spectator as seeing without touching. That's what Giorgio Agamben calls "sacred".

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So which one are you going to go for? Let us know in the comments section below. Just because Apple makes it, doesn't mean it has to be a 'Jesus' product like the iphone. Apple has always been about targeting niches, and I am pretty sure that e-reading is out of this device's niche (despite what Jobs says); claiming it to be so, is almost as bad as legitimately pinning the iphone up against the psp as a gaming device. Both the iphone and the ipad do theoretically perform some of the same tasks that the psp and kindle do (respectively), but they do so to such a casual extent that you really can't take such things too seriously… just because I can input text in photoshop doesn't mean that I should write up my essays in it… Amaury Faye trio is in line with the great trios of American jazz. Amaury Faye, Louis Novarro and Théo Lanau are inspired by New York artists as well as current trends in European jazz.

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В© 2013 by Robert Kirzinger for the Boston Symphony Orchestra. I got the iPad and for my stupidity, i even got the 64GB version. I was amazed at the screen and the 'cool' features. No one can deny the great look, effects and multi-touch, but I was disappointed to hit the wall when I tried to put anything 'except the fun stuff' through iTunes. First of all, I have always hated iTunes! Whey the heck Apples forces everyone to use that? Whey don't you freaking people just give me a storage that I can drop my files and read them? I had to hunt through apps to read get a pdf file to my ipad and find out that they suck and I already have paid for it! It is very restrictive. I could not live with it. I was sooooooo frustrated for the past few days that I could not use a freakn gadget the way I want. When I wen to apple store and asked for help, their smartest geek told me to 'just email yourself the pdf!!' How many files do I have to email my self, you MORAN. and why should I have to? Collaboration with the artist GaГ«tan ChrГ©tien, Enauratge de Matror . This video put the spectator in a witchcraft ritual. We see a witch working in an old and dark basement, the scene is sometime suspended by slow time where we can see the artist drawing a bird using washing powder. The ritual meant to realize the fly to Matror , which is an occitan traditionnal celebration, almost as Halloween. Between dream and reality, the bird shape finally appears.

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So which one are you going to go for? Let us know in the comments section below. Sorry. Should have been clearer. The Kindle doesn't require a data plan, unlike the iPad. Paleo-Spiritism.
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